This postcard, postmarked in 播磨姫路 (Himeji, Harima) on January 4, 1891, was sent by 島村賢三郎 (Shimamura Kenzaburō), who lists his address as 姫路市龍野町二丁目 (2-chome, Tatsuno-cho, Himeji-shi). Shimamura addresses the recipient as 前田吉彦先生 (Maeda Yoshihiko-sensei) and includes the unusual term 六要堂 (Rokuyōdō) alongside his name.
So far, we have seen Maeda referred to with titles such as 洋画師 (yōgashi), 油画師 (abura-e-shi), 油絵師 (abura-e-shi), 六要画 (rokuyōga), and 油画先生 (aburaga-sensei). However, this is the first instance of the term 六要堂 (Rokuyōdō). Its meaning remains unclear, as the term does not appear in standard Japanese language references. It may refer to something like the "House of Rokuyō" or a place associated with Maeda's work, such as an art studio or school. It is possible that Shimamura was once a student of Maeda.
In this letter, Shimamura informs Maeda of his upcoming military service, noting that he will be unable to correspond for some time. He also expresses deep gratitude for Maeda's past kindness and mentorship. Despite our efforts, we have been unable to uncover additional information about Shimamura Kenzaburō, leaving his story and connection to Maeda a tantalizing mystery.
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